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Richard Beerhorst
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Richard Beerhorst
ABOUT
WORKS
All Available Works
DRAWINGS
PAINTINGS
BLOCK PRINTS
30 x 30 Painting Series
PRIVATE COMMISSIONS
THE KISS
LETTERS
OFFERINGS
STEP INTO THE FIRE
FLAME CIRCLE
CONTACT
(0)
Cart (0)
ABOUT
Folder: WORKS
Back
All Available Works
DRAWINGS
PAINTINGS
BLOCK PRINTS
30 x 30 Painting Series
PRIVATE COMMISSIONS
THE KISS
LETTERS
Folder: OFFERINGS
Back
STEP INTO THE FIRE
FLAME CIRCLE
CONTACT
All Available Works › The Lovers Block Print

The Lovers Block Print

$600.00

The Lovers

Two figures, poised in intimate orbit.
His hand cradles her cheek—not possessive, but reverent.
She leans in with soft defiance, eyes steady, unflinching.
Between them: tension, tenderness, time suspended.

The Lovers is a hand-carved woodblock print, pulled by the artist in rich brown ink.
The stage-like drapery and classic columns frame the pair as if they are not only humans in love—but archetypes.
An eternal scene played across centuries of longing, stillness, and soul-to-soul recognition.

Each print is signed and marked A/P (Artist Proof), making it a rare offering from Beerhorst’s hand-crafted archive.
To own this piece is to honor connection—not the fleeting kind, but the one that pauses, breathes, and remembers itselfthrough the gaze of the other.

It is not illustration. It is invocation.

The Lovers

Two figures, poised in intimate orbit.
His hand cradles her cheek—not possessive, but reverent.
She leans in with soft defiance, eyes steady, unflinching.
Between them: tension, tenderness, time suspended.

The Lovers is a hand-carved woodblock print, pulled by the artist in rich brown ink.
The stage-like drapery and classic columns frame the pair as if they are not only humans in love—but archetypes.
An eternal scene played across centuries of longing, stillness, and soul-to-soul recognition.

Each print is signed and marked A/P (Artist Proof), making it a rare offering from Beerhorst’s hand-crafted archive.
To own this piece is to honor connection—not the fleeting kind, but the one that pauses, breathes, and remembers itselfthrough the gaze of the other.

It is not illustration. It is invocation.

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