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Richard Beerhorst
ABOUT
All Available Works
DRAWINGS
PAINTINGS
BLOCK PRINTS
30 x 30 Painting Series
PRIVATE COMMISSIONS
LETTERS
FLAME CIRCLE
STEP INTO THE FIRE
CONTACT
PROFESSIONAL RECORD
(0)
Cart (0)
ABOUT
Folder: WORKS
Back
All Available Works
DRAWINGS
PAINTINGS
BLOCK PRINTS
30 x 30 Painting Series
PRIVATE COMMISSIONS
LETTERS
Folder: OFFERINGS
Back
FLAME CIRCLE
STEP INTO THE FIRE
CONTACT
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The Flower Arranger .jpg
The Flower Arranger with frame.jpg
All Available Works › The Flower Arranger

The Flower Arranger

$6,600.00

51 × 43 cm, oil on linen, 2023

The Flower Arranger carries a quiet, corseted eroticism — desire held within form, enchantment within restraint. The spool of thread, thimble, and needle evoke the domestic domain, yet they also suggest how each painting in this body of work is sewn together, threaded with a subtle coherence that deepens the longer you linger.

The Flower Arranger was included in my recent solo exhibition in Paris titled Beyond the Veil, Narrative Portraits.

To inquire privately or reserve this piece, message me directly on Instagram @richardbeerhorst.

See some of the other works from this exhibition.

51 × 43 cm, oil on linen, 2023

The Flower Arranger carries a quiet, corseted eroticism — desire held within form, enchantment within restraint. The spool of thread, thimble, and needle evoke the domestic domain, yet they also suggest how each painting in this body of work is sewn together, threaded with a subtle coherence that deepens the longer you linger.

The Flower Arranger was included in my recent solo exhibition in Paris titled Beyond the Veil, Narrative Portraits.

To inquire privately or reserve this piece, message me directly on Instagram @richardbeerhorst.

See some of the other works from this exhibition.

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This painting was commissioned by Adamy Valuation in Grand Rapids following their move into a historic downtown building. It was created for their boardroom, a space where decisions are made, relationships are shaped, and the future of the company is quietly negotiated.

The Grand River runs through the composition as both subject and anchor. It is more than a landscape element—it is the origin point of the city itself. Grand Rapids began as a trading post along these waters in the 1830s, where French traders and native communities met, exchanged, and built the earliest structures of what would become the city.

In this painting, the river holds that memory. It moves through the present while carrying the weight of what came before.

Installed in the boardroom, the work functions as a steady presence. A reminder that beneath every transaction and decision, there is a longer current at work—one that precedes the company and will continue long after. It has become a kind of visual center for the room, quietly holding the space where important matters are worked through.