Collage-Built Linocut — One-of-a-Kind Original
Framed size: 42 × 51 cm
Printed across multiple papers and hand-tinted with colored inks, then cut and assembled into a single composition, Golden Girl is not simply a linocut—it is a convergence.
A meeting of materials.
A meeting of sensibilities.
A meeting of two distinct artistic languages.
Inspired by a painting co-created with Véronique Cauchefer, this work carries the unmistakable traces of both artists: his structure and tenderness, her mystery and instinct. In its layered papers and shifting tones of gold, black, and blush pink, the piece feels like a quiet conversation—between masculine restraint and feminine intuition, between stillness and longing, between solitude and connection.
The tilted head, the open gaze, the unfinished blocks of pattern and space—nothing is fully certain, and that is precisely its power. The work doesn’t try to explain. It invites you to sit with it.
An original collage-constructed linocut—never to be repeated.
Collage-Built Linocut — One-of-a-Kind Original
Framed size: 42 × 51 cm
Printed across multiple papers and hand-tinted with colored inks, then cut and assembled into a single composition, Golden Girl is not simply a linocut—it is a convergence.
A meeting of materials.
A meeting of sensibilities.
A meeting of two distinct artistic languages.
Inspired by a painting co-created with Véronique Cauchefer, this work carries the unmistakable traces of both artists: his structure and tenderness, her mystery and instinct. In its layered papers and shifting tones of gold, black, and blush pink, the piece feels like a quiet conversation—between masculine restraint and feminine intuition, between stillness and longing, between solitude and connection.
The tilted head, the open gaze, the unfinished blocks of pattern and space—nothing is fully certain, and that is precisely its power. The work doesn’t try to explain. It invites you to sit with it.
An original collage-constructed linocut—never to be repeated.
